“Chilkat Mask” in shades of blue — Clarissa Rizal — 2016
During my “spring break”, for the first time ever, I actually took a real spring break, like an actual, much-needed vacation. During the vacation I hugged and played with my grandchildren, visited my kids, romped around the desert with my friend Rene, and in between when nobody was looking, I wove this Chilkat Mask! Yep, it can be worn as an actual mask. I wove it with the same shades of blue weft yarns I dyed a couple of years ago and I am using the main bulk of the blue yarns for my most recent Chilkat robe called “Egyptian Thunderbird.” This mask will be in an exhibit of Northwest Coast Native masks at the Stonington Gallery in Seattle, Washington opening Thursday, June 2nd. Most of the masks at this show will be in carved wood, or in jewelry, and I doubt very much there will be a mask like this one that is woven; we’ll see. My “Chilkat Mask” may be the first of its kind, I don’t know. Come on down to the Stonington and let’s see! I’ll be there!
cloth-covered wires were inserted, hanging down with the warp, only in the central part of the Chilkat mask …this is to give the mask some structure with flexible capabilities to form to any human face — “Chilkat Mask” by Clarissa Rizal — 2016
My “Chilkat Storyteller” is my donation for an exhibit of contemporary Alaska Native art opening in France on June 24th. It was inspired by the pueblo storyteller dolls made of their local clay. The first contemporary storyteller was made by Helen Cordero of the Cochiti Pueblo in 1964 in honor of her grandfather, who was a tribal storyteller. It is basically a figure of a storyteller, usually a man or a woman and always with its mouth open. It is surrounded by figurines of children (and sometimes other things) which represent those who are listening to the storyteller.
back view of “Chilkat Storyteller” wearing miniature Ravenstail/Chilkat robe — by Clarissa Rizal — copyright 2016
My “Chilkat Storyteller” is a self-portrait with my 7 grandchildren. Though instead of clay figurines, the main body of the doll is made with shreds of yellow cedar bark interior with black felted merino wool exterior. She sits approximately 7″ high and wears a miniature Ravenstail/Chilkat robe. All 7 of her grandchildren are felted wool in our traditional colors of black, natural, yellow and blue. Made with lots of love, I laughed while creating each figurine knowing the personality of each child, affectionately I called out my knick names while making each:
* The black one on bottom right is the oldest, SikiKwaan (Lily’s oldest daughter); very thoughtful, protective one
* The blue one on top right is second oldest, Andoopoo (Kahlil’s daughter); the adventurer outdoors gal
* The white one on the bottom left is third oldest, Ashuwa (Ursala’s oldest daughter); kind, caretaking artist
* The yellow one on the left arm is fourth, Ajuju (Lily’s 2nd child; only grandson); the compassionate one
* The white one on top of the head, Wasichu (Lily’s adopted child); spirits rebellious
* The blue one on bottom left, Bulleit (Ursala’s youngest); no fear, dare devil innocence
* The yellow one on bottom right, OneFootOneKnee or Inipi (Lily’s youngest); quiet, independent sweetness
top view looking down at “Chilkat Storyteller” doll by Clarissa Rizal — copyright 2016