NEW YORK - "Feel this," says Steve Geng, grinning.
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He takes your hand and rubs it on his head, the top of which, it turns out, is dented like an old fender. "That's where the brother of a girlfriend caved my head in with a claw hammer."
Like nearly all of Geng's stories, this one makes him laugh. It's a wheezy chuckle that goes 'HUH HUH HUH' and gets his shoulders bouncing. It's a sound that says, 'CAN YOU BELIEVE THAT I ACTUALLY LIVED THIS LIFE?'
It's faintly horrified and totally thrilled at the same time.
You get the horror and a sense of the thrill reading "Thick as Thieves," Geng's account of his nearly four decades as a small-time thief and heroin addict. Whenever he reads from the book, he interrupts himself every line or two for a hearty guffaw. His dozen-plus arrests, the East Village circle of junkie-hustlers who were his friends, the romances that ended badly, his brief sideline as a bit-part actor on "Miami Vice" - it all just cracks him up.
He darkens only when he talks about his sister, the New Yorker staffer Veronica Geng. As he tumbled, she rose, scaling the Manhattan magazine world and becoming a renowned writer of humor pieces and a sought-after editor for authors such as Philip Roth and Milan Kundera. She died in 1997 at 56 of a brain tumor, and because they were estranged at the time, Steve learned only after she passed away that she'd been sick.
That he never said goodbye rips him up, and as he reminisces in a booth at a restaurant in Chelsea, where he wrote much of "Thieves," he verges now and then on tears. The book is a requiem for Ronnie, a complicated, magnetic and walled-off woman whom he adored.
Geng, 64, started writing about her and the rest of his life seven years ago after winning a raffle, the prize for which was $1,000 worth of classes at New York University. He chose a writing course and started tapping away. After meeting an editor at the publishing house of Henry Holt, Geng landed a book deal and a modest $40,000 advance.
A few Sundays ago, the New York Times gave "Thieves" a near-rave review. The only people who saw that coming were the friends of Veronica whom Geng sought out as he researched his sister's work life, and who later offered feedback on early drafts.
"I've got to be honest," says Charles McGrath, a former New Yorker editor. "When Steve got in touch with (New Yorker writer) Roger Angell and Roger enlisted me, we met with him as a courtesy. There was no reason to think he could write. But he can. He sent me his manuscript and I nearly fell over."
Geng, cleaned up now for nine years, finds this turn of events comically improbable. And though there is a lot of tragedy in his story, he can't do melancholy for more than a minute. He prefers to recount his misadventures as a junk-addled shoplifter, a part of his life he remembers like a hail of bullets that wounded but didn't kill him.
He's got to tell you this one.
It was 1971, in the Lower East Side. He was dating this woman. He hit her. They broke up. Then she called and asked him to return some stuff, and when he went to her apartment, he discovered it was a trap. Her brother cold-cocked him. Geng came to, rolled up in a carpet like a burrito. He heard two guys and his ex arguing about what to do with him.
"I heard one of them say, 'Let's get the car,' and I thought, they're going to throw me in the trunk." He figured he was about 10 minutes from dying, depending on where they planned to dump him.
Instead, Geng wriggled out of the carpet a bit and successfully pleaded for his life.
"I said, look, I hit the poor girl, but give me a break," he recalls. He said that if they'd let him go to Beth Israel Hospital, he'd forget the whole thing.
"So they walked me a few blocks up First Avenue. I think they figured it was easier than dealing with a dead body."
He pauses, staring across the restaurant. His shoulders start to bounce.
"HUH HUH HUH."
Geng is small and sweet-tempered and has wrinkles that form a kind of figure-eight racetrack up his cheeks and across his forehead. He has what he describes as full-blown AIDS, the result of shooting up with dirty needles, but the drug treatments work so well he expects to die of something else, and not any time soon. Still, he has that desiccated look of a man drained of vital fluid. His voice is raspy in a New Yorky, late-career Al Pacino kind of way.
"Being a thief was a way to avoid taking care of yourself," he says. "I mean, if you get arrested, they lock you up and feed you and you get to hang out with wise guys and tell war stories. It was welfare!"
After James Frey and his best-selling fraud, "A Million Little Pieces," it's impossible to read a recovering druggie's memoir without asking some basic questions. Like, is this a true story?
Unlike Frey, Geng is happy to introduce you to any number of witnesses to events in his book - principally, the ensemble of former criminals who were his accomplices and remain his friends.
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