Over the May 26-27 weekend, the stage of the Juneau-Douglas High School auditorium was transformed by an array of dancers into what some in the audience called, “a magical world.”
The Juneau Dance Theatre’s (JDT) 2017 Spring Showcase brought to life a wide range of performances including excerpts from “Swan Lake,” George Balanchie’s “Tchaikovsky Pas De Deux,” choreography by Ballet Master of the Pennsylvania Regional Ballet Laszlo Berdo and a piece crafted entirely by JDT dancers in their choreography workshop class. There was also an appearance made by electric violinist Noatak Post, the recent winner of “Juneau’s Got Talent,” who JDT Artistic Director Zachary Hench said in a press release that Post “dazzled us with his electric violin performance in March.”
The JDT’s promise to begin the program on a vibrant and light note was accomplished by the 20 dancers who filled the stage and performed “Waltz of the Hours” from Coppelia, choreographed by Hench.
Immediately following, advanced dancers Jillian Anderson and Anna McDowell assisted six of the younger beginning students in an adorable performance of “Singin’ in the Rain” complete with spinning umbrellas and kids wearing colorful rain boots.
Dancers dressed as butterflies from a midsummer night’s dream made an appearance in an assortment of wings. All 38 of the dancers that performed in “Scherzo” worked together sharing the stage and made each of their movements with a purpose so that the choreography fit and flowed together.
All of the dancers in Ballet 2A and Ballet 2B executed all their moves to music from Disney for Ballet Class all while wearing sparkling pink costumes. One of the dancers mentioned that the promenade was the most difficult move of this performance for her.
“Sunset Chronology” performed by Alannah Johnson, Anna McDowell, Brimley Olliff Jackson Rubenstein and Jennifer Seely, and choreographed by Alisha Falberg took the program into the contemporary. A red background set the stage for the dancers who performed this piece that was filled with drama and emotion.
“Once in a Blue Moon” was a crowd favorite that had been choreographed by the students from JDT choreography workshop class that told the story of a toy shop whose inhabitants came to life. Ballerina, porcelain, paper and rag dolls as well as marionettes were easily discernible from the other, playing their parts well. Even those dancers that didn’t participate in this piece said it was their favorite out of all the performances.
After the intermission “Fairies” from The Sleeping Beauty was performed.
Next was an excerpt from Tschaikovsky “Pas de Deux.” JDT’s Executive Director Julie Diana said in statement: “It’s one of my favorite solos. The choreography is dynamic and quick, and requires the dancer to take risks. We are thrilled to share this Balanchine gem with Juneau audiences.”
“Try to Be” choreographed by Laszlo Berdo was a light piece that had a happy air to it, created by the music and the smiles on the faces of all the participating dancers.
“Breathe” was an emotional a piece choreographed by seventeen-year-old JDT student McDowell. McDowell said in the program, “Dancing at JDT is amazing because everyone is so supportive and encouraging. I feel comfortable expressing myself artistically because of the accepting environment in the studio.”
Post then performed “Pachelbel’s Canon” single handedly in his own original fashion on his electric violin.
The program was concluded with excerpts from Act II of “Swan Lake” with advanced dancer Brimley Olliff playing Odette the Swan Queen and guest artist Nathan Buendia dancing as Prince Siegfried. The story was told with help from dancers who played the graceful swans.
Hench said, “the advanced dancers have been practicing for the Spring Showcase every single day for the past three months.” All the dancers are required to not only learn their own routine for the piece but also all the other dancers parts as well.
Diana said that JDT students become a family from the amount of time spent practicing. Hench encouraged aspiring dancer to “keep at it!” and “even though it may feel like you’re sacrificing a lot (by) giving up free time to practice in the studio, stay determined. It will be worth it.”